News & Premieres Editor
After a bicycle accident shattered her elbow and delayed recording, Sadie Dupuis completes a set of 14 one-minute songs that began as a daily writing challenge during a period of personal crisis.
The bassist and primary lyricist for Black Sabbath discusses his accidental path to the instrument, the bleak themes that defined a genre, and why his anti-war songs remain current.
The Perth band recorded together in one room, trying to bottle the energy they harness on stage. The result is tighter, wider, and unafraid to step sideways.
At Ireland’s Beyond The Pale festival, the former guitarist performed three songs with the band, including two from XTRMNTR.
The Japanese producer pairs 23 tracks of angular electronic music with a written manifesto on silence, trauma, and reconstruction.
Two decades after her solo debut, Joan Wasser has released a radical re-recording of Real Life, exploring fresh arrangements and sequences in conversation with the Meet Our Makers podcast.
Four decades later, the album’s precise blend of political disgust and personal bitterness hasn’t faded—it has simply found new targets.
The new machine swaps M-series silicon for an A18 Pro chip, hitting a price point that could reshape entry-level music production — for those who don’t need pro power.
Mark Oliver Everett announces the sixteenth EELS studio album, pairing a worn-down lead single with a philosophy borrowed from Cookie Monster.
Two label dynasties that once competed for Southern rap supremacy will share a bill for the first time on a 17-date U.S. arena tour this fall.
