Fire-Toolz makes her Warp debut with Lavender Networks, a ten-track album in which metal, glitch and ambient drift form one precise emotional transmission.
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Fire-Toolz makes her Warp debut with Lavender Networks, a ten-track album in which metal, glitch and ambient drift form one precise emotional transmission.
On “Punching the Flowers,” Death Cab for Cutie return with a song that feels wiry, compressed, and quietly brutal, turning emotional inertia into a piece of indie rock that moves with real pressure. Released on April 27 as the second single from I Built You A Tower, the track suggests a record more interested in …
On their fourteenth album, The Black Keys turn to a set of covers and, in the process, recover something more valuable than novelty: touch, weight, and the friction that once made their music feel alive
A former Star Trak affiliate returns from a 14-year prison sentence to make music with one of underground rap’s most consistent producers. The result is lean, patient, and entirely unforced.
On the two-song single “Para’dies,” Che proves he can slow down without losing his edge. The Atlanta rapper’s new tracks are more melodic and direct than his earlier work, but the chaos still simmers underneath.
On her second EP, the Swedish songwriter processes loss by learning to live alongside it. The results are direct and quietly assured.
On their second album, Miss Grit turns inward and outward at once, constructing songs that feel like rooms you can inhabit.
Laurie Vincent steps out of SOFT PLAY’s noise and into something wider, lonelier, and more deliberate. His new project Big Truck debuts with a single that trades rage for distance.
Two of the underground’s most formidable drummers face off across a split album that highlights their differences more than their common ground.
Luvcat returns with a single that swaps gothic gloom for seaside dread, and it might be her sharpest turn yet.
