Milan-based duo I’m Not a Blonde reframe partnership as 1+1=11 on their fourth album: a bilingual, precisely calibrated electropop record that prizes two distinct voices over fusion.
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Milan-based duo I’m Not a Blonde reframe partnership as 1+1=11 on their fourth album: a bilingual, precisely calibrated electropop record that prizes two distinct voices over fusion.
Thirteen years on, Block’s sixth album maps personal wreckage through ten sharply observed songs. Produced by Chris Kuffner and mixed by Blake Morgan, Love Crash refines the New York anti-folk voice into something quieter, more urgent, and unflinchingly present.
On their new single, Queen Anne construct a knowing unreliable narrator over shifting acoustic-to-groove textures. The result is precise, playful indie pop that treats performance as part of the story rather than something to hide.
Detroit-based instrumentalist SARK steps away from electronic palettes on his new single “Flying Toward Tomorrow,” blending live instrumentation with melodic phrasing and emotional weight. A quiet but precise shift.
The Chili Peppers bassist brought his new jazz ensemble to New York, turning a Frank Ocean hit into something raw and ruminative.
Fire-Toolz makes her Warp debut with Lavender Networks, a ten-track album in which metal, glitch and ambient drift form one precise emotional transmission.
On “Punching the Flowers,” Death Cab for Cutie return with a song that feels wiry, compressed, and quietly brutal, turning emotional inertia into a piece of indie rock that moves with real pressure. Released on April 27 as the second single from I Built You A Tower, the track suggests a record more interested in …
On their fourteenth album, The Black Keys turn to a set of covers and, in the process, recover something more valuable than novelty: touch, weight, and the friction that once made their music feel alive
A former Star Trak affiliate returns from a 14-year prison sentence to make music with one of underground rap’s most consistent producers. The result is lean, patient, and entirely unforced.
On the two-song single “Para’dies,” Che proves he can slow down without losing his edge. The Atlanta rapper’s new tracks are more melodic and direct than his earlier work, but the chaos still simmers underneath.
