News & Premieres Editor
Rush’s residency took an ambitious turn on night two as the band performed the complete 20-minute prog epic for the first time in nearly three decades, alongside a drastically reshuffled setlist and a returning Aimee Mann.
The record arrives via Third Man Records on 10th July, following an unconventional preview through the label’s behind-the-scenes video series.
The electronic producer’s latest album traces a move from Seattle to Eugene, turning hotel-room sketches and a late-night dance floor encounter into a quietly assured set.
Ulmer built a fiercely independent language on the electric guitar, carrying Ornette Coleman’s harmolodic theory into blues and funk territory. His family confirmed the death on June 3.
The British band’s first album in nearly a decade leans into relentless energy, with frontwoman Becca Bottomley and guitarist Jack Bottomley now married and co-writing.
The Oklahoma noise-rock outfit returns with a record focused on “the challenges of trying to keep one’s humanity,” led by the single “Deep Blue.”
Tim Quirk’s new app, Tapedeck, lets fans pay as they go and guarantees artists at least a penny every time a song is played. The former Rhapsody and Google Play Music executive sees it as a long-overdue fix for streaming’s broken royalty system.
The one-off date caps a run of celebratory performances marking three decades since Reasonable Doubt, following a sold-out Yankee Stadium stand and his first solo concert in six years.
The track’s fragile minimalism frames a sharp meditation on how words work.
After the death of Dave Ball, the duo’s last record arrives as a deliberate farewell—no eulogy, just a love letter to the New York that made them.
