The Mexicali artist and former R2 member extends his exploration of fractured, textural electronic composition with a third release for the label.
Julio Otero Vargas has deep roots in electronic music. As a member of the techno-industrial duo R2, he was part of Mexicali’s early scene in the 1990s. After stepping away for years, he returned to making music, self-releasing work before linking with independent labels. Dissonance, a digital album issued by Facade Electronics, represents his third statement with that label.
The music refuses to settle into a recognizable form. Working under his surname, Otero Vargas treats sound as raw material, arranging static, distortion, pulses, and fractured rhythms with a sense of purpose. The surface can feel chaotic, but the control underneath is precise. Rather than relying on melody, he builds movement through changes in density, repetition, and texture, letting rhythms emerge only to be obscured by layers of electronic noise.
The recordings have a weathered, physical quality, as if the machinery is being pushed toward its limit. Yet Dissonance never becomes an exercise in pure abrasion. Moments of beauty are buried within the harsher passages, and the quieter segments don’t simply offer a break from the noise—they sharpen its impact. It makes for an unsettling, immersive listen that rewards attention without dictating what it should mean.
Join the Club
Like this story? You’ll love our monthly newsletter.
Thank you for subscribing to the newsletter.
Oops. Something went wrong. Please try again later.





