Laurie Osborne’s new album renders the space between his Bristol dubstep roots and Berlin dub techno as a set of hazy, slowly shifting electronics.
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Laurie Osborne’s new album renders the space between his Bristol dubstep roots and Berlin dub techno as a set of hazy, slowly shifting electronics.
A new retrospective traces how Native Instruments’ Massive became the defining soft synth for a generation of producers, its presets often doing the heavy lifting.
