Anyma Takes ÆDEN to MARQUEE Singapore for a Club Show Between the Spectacles

Anyma has spent recent years working at a scale most electronic acts never reach: the Las Vegas Sphere, Coachella, the Pyramids of Giza. On October 10, 2026, he plays MARQUEE Singapore during Formula 1 race weekend, a club date that reads less as a step down than as a return to the setting where a DJ set is judged in real time.

The booking lands inside ÆDEN, the chapter that follows his Genesys trilogy. Where Genesys carried a fixed narrative, ÆDEN is built to shift. “Each ÆDEN show is different, with the narrative constantly evolving through new songs and visuals,” he says, noting that certain moments and storylines are made for specific shows and countries. That flexibility suits a club better than a stadium. The story can be rewritten from one night to the next.

The through-line remains technology and humanity, a subject Anyma, otherwise Matteo, has treated as an audiovisual project rather than a DJ alias. Video games, anime and science fiction shaped the persona before music did, and the live show carries that inheritance. “I want people to feel an emotion deeper than a party performance,” he says, and frames the goal as something fans take away rather than something they simply watch.

What travels to Singapore is the open question. Anyma says the region has drawn him in both its modern and ancient forms. Whether that surfaces in the visuals on the night is unresolved, but ÆDEN is premised on the possibility that it might.