Months after the single’s March release, the official video arrives as an extension of its restraint. Directed and shot by Dimitris Koufopoulos with editing by Vagelis Tziavaras, it turns the performance of forward motion into the subject itself.
Directed by Joe Ward and set inside a narrow tunnel lit with clinical precision, the official video for “Blondie” arrived on May 15 as the first statement from Bladee’s new album, now released today on Trash Island.
The Strokes return with a ballad that treats Auto-Tune not as polish but as texture, framing emotional distance through restraint rather than release.
Charli XCX releases the official video for new single “Rock Music”, directed by Aidan Zamiri. A precise, ironic take on rock reinvention after Brat, all serrated riffs, Louboutin heels and mountains of cigarettes.
In the hushed afterglow of Tranquilizer, Oneohtrix Point Never exhales “Dim Stars / For Residue (Extended),” a double helix of microtonal drift and unstable intimacy via Warp Records.
The Spanish singer brought six songs and one plastic folding chair to her first Tiny Desk Concert. It’s as strange and precise as it sounds.
The duo’s new EP ‘EPEEPEE’ arrives with a playful, unpretentious energy, recently earning them a support slot for Sleaford Mods.
The Swedish producer and Primal Scream’s frontman converge on ‘Strange’, a track from the expanded edition of ‘Illegal Hit’.
The Isle of Wight duo debuted unreleased songs “Mangetout” and “Catch These Fists” during the inaugural episode of the UK version of the comedy show.
Two screamo units converge on a split LP structured around a singular, enigmatic concept.
