L’Rain’s ‘fata morgana’ Builds a World from Glimpses
Taja Cheek’s latest album as L’Rain is a meticulously random collage that rewards attention, not patience.
News & Premieres Editor
Taja Cheek’s latest album as L’Rain is a meticulously random collage that rewards attention, not patience.
Jeff McIlwain’s tenth Lusine album pulls back from song structures to foreground motion, texture, and the kind of ambient music that demands attention.
The Chicago trio and Basque musician Elena Setién share a meditative new track drawn from an Emily Dickinson poem, ahead of their collaborative album on Thrill Jockey.
Sam Cook-Parrott returns with a gentle, unflinching single that reframes political exhaustion as a matter of personal choice.
Maris O’Tierney, formerly of sibling duo Maeve & Quinn, steps out solo as Park Hills Circle with a warm, stylistically fluid first album.
Vini Reilly returns after more than fifteen years with a record that moves further into the unperturbed and unpretentious, made after strokes that should have silenced his guitar.
The seafaring party series returns to the Adriatic for its anniversary edition, blending boutique music curation with the rhythms of island life.
Seven years after their last LP, the band rediscovers the melodic aggression that once defined them, without retracing their steps.
Three decades after Maxinquaye, Tricky delivers a raw, collaborative album that feels less like a comeback than a continuation.
The Irish composer’s first work for ensemble documents a single day in an ecosystem stripped by industry, making a quiet but urgent case for listening as a form of witness.