Claud Announces Third Album ‘Me and the Music’
The Brooklyn artist returns on October 23 with a 10-track Dead Oceans LP and the single “She Doesn’t Love Me,” a bittersweet turn from heaviness toward communal release.
News & Premieres Editor
The Brooklyn artist returns on October 23 with a 10-track Dead Oceans LP and the single “She Doesn’t Love Me,” a bittersweet turn from heaviness toward communal release.
The former Brooklyn Vegan editor’s debut book charts the messy, often contradictory networks of the 2010s emo underground.
Before Ferry Corsten’s trance remix made it a dancefloor staple, Orbit’s rework of Samuel Barber’s Adagio for Strings marked a pivot from pop producer to electronic-classical architect.
A brief onstage reunion brought the actor and the musician together mid-set, as the show’s fourth season continues.
Kristian Matsson’s new album draws directly from the traditional music of Dalarna, marking a deeper turn toward his own heritage.
The London duo sets up ‘Nocturne’ (out 18 September) with a club-inspired track about desire, ahead of a November UK tour.
The long-awaited successor to one of the best-selling synths of the century updates the formula with more polyphony and new sound engines, though the landscape it enters is far more crowded.
A decade after their stripped-back debut, the band’s second NPR session places I Built You a Tower material beside early catalog favorites, with Ben Gibbard noting how the years have shifted around them.
The project’s new album merges funeral-doom weight with trip-hop crawl, finding clarity in down-tempo heaviness.
San Francisco’s independent festival drew a stacked lineup, but the weekend’s most compelling moments came from surprise collaborations and Charli XCX’s second full show of her Music, Fashion, Film era.