News & Premieres Editor
The London singer-songwriter, who emerged during the pandemic with viral covers before releasing two EPs, treats domestic space as her primary listening lab. Her latest track turns inward.
Two years after The Passage of Time, the project folds Greek myth into its layered blend of ambient, electronica, and post-rock.
As the AMC series reimagines Anne Rice’s vampires with a more explicit queer charge, Neil Jordan’s 1994 film receives an Ultra HD edition loaded with archival extras.
The reissue adds B-sides and colour vinyl options, bringing the 2006 album back into focus without ceremony.
The British songwriter’s forthcoming record draws on John Cale, Marc Jacobs, Martin Scorsese, and David Cronenberg to map the tensions between art, commerce, and working-class frustration.
The close-knit group talk intuitive collaboration, the pull of London’s live circuit, and why they treat every recording as a private act.
The sprawling edition includes 52 unreleased tracks, remastered audio, and a note from Costello explaining why a golden anniversary felt “preposterous.”
Three years in, the branded space has quietly become a genuine festival draw, proving that a last-minute reveal can still carry weight.
Sharon Osbourne pushes back on criticism of the planned Ozzy Osbourne hologram project, insisting it was the late singer’s long-held wish and part of a broader legacy effort.
Rain, mud, and a delayed opening tested the festival’s infrastructure and crowd—but the event held its shape.
