Editor
A Los Angeles jury ruled the playback of an unreleased Hurricane version to 40,000 people in 2021 constituted infringement, adding to a string of legal and reputational defeats for the artist.
The post-hardcore band confirms a run of dates with a support package that pulls from the heavier end of the scene.
Spring 2026 brought a powerful farewell from At the Gates and the first Bosse-de-Nage album in eight years, two releases that reminded us why these bands matter.
The hard rock supergroup with ties to Ozzy Osbourne, Thin Lizzy, and Whitesnake returns with a track that leans on its members’ classic rock past.
Three road-ready boards from the Oasis guitarist’s touring rig, assembled by tech Mike Hill, have surfaced in London with documentation and flight cases. They offer a clear look at his late-career shift toward effects.
‘Everything Always Changes, For We’re Truly Here’ arrives July 9, tied together by a shared fascination with a single scene from a 1965 Polish film.
The Days Pass Quickly Immersed in the Shadow of Eternity channels the imagination of early humans who first carved flutes from bone. Written for medieval flautist Norbert Rodenkirchen, the record extends Bertucci’s long engagement with psychoacoustic woodwind layering into older, less documented territory.
The Austin quartet, named after a line from the 1988 classic “Indian Summer,” release their first full-length through Calvin Johnson’s revived Perennial imprint.
The Baltimore band’s cover of the pre-Rage Against the Machine hardcore track links two distinct chapters of uncompromising music.
The New York hardcore band’s third album for Loma Vista was made with producers Klas Åhlund and Kenneth Blume III, and foregrounds the idea of turning belief into action.
