Holy Wave’s “i’m DADA” Confronts the Tension Between Parenthood and Creative Work
The Austin psych-rock group shares the title track of their new album, featuring collaborators from Lorelle Meets The Obsolete and J. Zunz.
Editor
The Austin psych-rock group shares the title track of their new album, featuring collaborators from Lorelle Meets The Obsolete and J. Zunz.
Alicia Bognanno will bring her project Bully to the LaguMiniAmphitheaterette on July 28 as part of the Live at Lagunitas series, in a free concert presented by Consequence.
The long-unavailable recordings, featuring Arthur Russell throughout, offer a lost chapter of experimental pop that still sounds more adventurous than most of today’s underground.
Timed to the 250th anniversary of American independence, the release pairs sharp covers with a clear political intent — including a studio collaboration with Joan Baez.
With 228,000 equivalent units and a new career high in pure sales, ATEEZ claims a third No. 1 on the Billboard 200 and breaks a tie for the most top 10s among groups in the 2020s.
Noah Kahan’s headlining set at Rolling Stone’s first Stateside festival overcame a day of rain with wry humor and the muscle of a Number One album.
The band mixed five new tracks from The WOW! Signal with a heavy dose of 2000s material during the first night of their 2026 North American run.
Paul McCartney performed “I Want to Hold Your Hand” live for the first time in 62 years during Taylor Swift and Travis Kelce’s Madison Square Garden reception, marking a rare return to a song he had never played solo.
Neil Tennant’s religious education collided with cutting-edge gear in a Camden demo studio, producing a song that still resonates four decades later.
A new PBS documentary traces the folk icon’s 1930s activism into the present, where his music reappears at demonstrations against immigration enforcement.