The Songs ROMBO Returned To This Week
Three selections from the week's new music, picked because they do something a streaming algorithm won't catch. Gilla Band returns, J Noa shifts gears mid-track, and K CAMP shows a different register.
Editor
Three selections from the week's new music, picked because they do something a streaming algorithm won't catch. Gilla Band returns, J Noa shifts gears mid-track, and K CAMP shows a different register.
The rapper says music isn’t political and he doesn’t vote, even as the Freedom 250 concert loses half its lineup.
Tom Collingburn’s latest as Unruly Disturbance brings rhythm back into his work after years of pure drone, shaping a record where the club is a memory and not a destination.
In February 1971, Neil Young walked into a Nashville studio with a back brace and a batch of acoustic songs. The session that followed would yield his only No. 1 single and the bestselling album of the following year.
Three acts with distinct histories resurface in a week heavy on long-awaited releases, with Paul McCartney also joining the fray.
The track, produced by Edgar Barrera, translates the pain of family separation under U.S. immigration enforcement into rock-driven songwriting, with Barrera donating his royalties to affected families.
A buy-one-get-one ticket offer from the band requires fans to submit to biometric identification, with no details on how the data gets handled.
Laurie Osborne reframes bass music as communal memory on a new Appleblim album that moves between dub pressure, breaks, and introspection.
Mark “Smitty” Neal’s exclusive shots document a night where two pillars of Bay Area thrash shared a New York stage with a no-nonsense groove metal opener.
The new single walks a line between cold electronics and physical urgency, paired with a visual that sharpens the track’s edge.