The Beatles’ trusted engineer abandoned the fractious sessions for *The White Album*, citing a toxic atmosphere that felt like “watching a divorce between four people.” He later returned for *Abbey Road* on the promise of a clean slate.
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The Beatles’ trusted engineer abandoned the fractious sessions for *The White Album*, citing a toxic atmosphere that felt like “watching a divorce between four people.” He later returned for *Abbey Road* on the promise of a clean slate.
On Dragon’s Blood the German producer refuses to write four different songs about divorce. He writes one and then subjects it to successive states of time, space and pressure until the material itself becomes the recovery.
The songwriter’s session at the legendary London studio offers rare access, focusing on self-sufficiency behind the board.
Fresh reassessment of the Abbey Road sessions, fueled by Peter Jackson’s Get Back, dismantles decades of myth around the band’s last days together.
