Göransson’s music for Christopher Nolan’s The Odyssey is built for 70mm spectacle, but heard as a record it sits closer to dark ambient and Fourth World textures. A new film music column traces where that approach comes from.
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Göransson’s music for Christopher Nolan’s The Odyssey is built for 70mm spectacle, but heard as a record it sits closer to dark ambient and Fourth World textures. A new film music column traces where that approach comes from.
