The Kyoto-born, Oslo-based composer’s seventh album treats electronic form as a votive object. Nine tracks hang where a wooden plaque would go.
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The Kyoto-born, Oslo-based composer’s seventh album treats electronic form as a votive object. Nine tracks hang where a wooden plaque would go.
A Belgian composer maps the pressure systems of the self with piano, strings and rare restraint.
On Dragon’s Blood the German producer refuses to write four different songs about divorce. He writes one and then subjects it to successive states of time, space and pressure until the material itself becomes the recovery.
