The Manchester quartet’s first release trades resolution for motion, borrowing from folk-rock without quite settling into it.
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The Manchester quartet’s first release trades resolution for motion, borrowing from folk-rock without quite settling into it.
A drummer from the Minneapolis years comes back to Iowa and puts the contact in the title. I Can Feel Your Hands is short, bright, and built to be held.
The Melbourne artist emerges with a first track shaped by repeated revisions and a deliberately slow process.
Ryan Brown’s first single under the RYNB name treats a draining relationship like a session that almost ends before the true sentence arrives.
Oskar Brandt arrives with Now or Never, a debut single in orchestral pop, plus a video directed by Sercan Sevindik.
The Berlin songwriter’s debut single treats a relationship like a shot that cannot be reset. Piano, strings, and a spoken last frame do the rest.
The New York project’s debut single turns a private bedroom into a continuous emotional field, where domestic noise, restrained piano and a fragile high voice create a space that refuses to end.
The Los Angeles songwriter opens her debut album cycle with a single that understands heat, humour and the quiet comedy of wanting someone you barely know.
Billie J Woolf releases ‘Dumbo’ today. The track arrives as the first statement from a theatrical art-rock project that treats identity as fluid material and breakdown as creative ground. Issued through Not Saints, the UK’s only not-for-profit record label dedicated to sobriety and recovery, the single carries an immediate sense of purpose. It refuses the …
