The Grammy-winning producer, whose work with Madonna, Blur, and All Saints brought ambient textures and breakbeats into the pop mainstream, died at his UK home on July 23. No cause was given.
Menu
The Grammy-winning producer, whose work with Madonna, Blur, and All Saints brought ambient textures and breakbeats into the pop mainstream, died at his UK home on July 23. No cause was given.
This Friday’s releases center on returns that carry real weight and projects that know exactly what kind of sound and attention they want to hold. Long silences end with evolved statements from The Temper Trap and If These Trees Could Talk. Jack White sharpens his guitar language into something even more direct and physical. Suki …
After the inward turn of IN/HARMONY, Just Geo returns with music made for the room. The roots are still there, but they now serve a clearer, more immediate purpose. The control is steady and the choices are deliberate.
This Friday’s releases trace artists who work with legacy and reinvention in equal measure. Some expand into high-gloss pop statements or immersive rage worlds that demand sustained attention. Others step into debut territory or precise moments of emotional directness and suburban reckoning. Madonna channels mid-2000s club euphoria into a direct sequel that tests how much …
The Japanese artist, also known as Yaporigami, returns with *IDM Collection 21-25 / The Structure of Silence* and a long-form essay, tracing a path from architecture studies to beat-driven introspection.
The fourth release from Arthur Roman is a modest but coherent addition to a still-small catalog. With only a handful of tracks available, the project operates at a deliberate remove from the usual cycles of promotion. What has surfaced so far suggests a producer interested in music that performs a clear role rather than competing …
A loose network of producers is knitting regional folk styles, temple melodies, and muay thai rhythms into bass-heavy, experimental electronics—quietly redefining what the country’s club music can be.
A decade after its release, the deliberate violence and sudden gentleness of Jon Hopkins’ Immunity remain a masterclass in electronic production and emotional sequencing.
Nathan Wilde’s darksynth project delivers the first single from KISS KISS CUT CUT today. “You’re Pretty When You Panic” drives deeper into aggressive electronics and slasher-film tension while staying unmistakably human-made.
This Friday’s releases trace a line between two distinct approaches to making music that feels necessary right now. Skrillex delivers a compact, surprise fifth album that folds Brazilian phonk, progressive house and underground techno into a single focused journey. horsegiirL presents her debut as both persona and proposition, a fifteen-track eco-anxious fairytale grown out of …
