Rick Smith recalls recording the 1996 album in a Romford spare bedroom with an Atari, a 12-track tape machine, and a mixing desk wired for live takes.
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Rick Smith recalls recording the 1996 album in a Romford spare bedroom with an Atari, a 12-track tape machine, and a mixing desk wired for live takes.
A one-off gala performance placed the electronic producer’s atmospheric instincts inside a seven-screen moving-image work, alongside improvised contributions from the LA Master Chorale to the Sun Ra Arkestra.
The final additions push the three-day event beyond club programming into grant funding, touring infrastructure and licensing.
The London/Helsinki label assembles a retrospective of analog-era electronic music, drawing a direct line between the optimism of 1990s compilations and the present.
The French producer treats the genre as a working discipline, not a costume. His latest full-length for Pyramid Transmissions studies the form from inside.
The nine-track record pairs Ian Boddy’s sequenced electronics with Robin Rimbaud’s textural interventions, building on their 2022 Manchester performance.
Founder Alain Mongeau stayed in Canada for family reasons. That decision turned a European-inspired electronic idea into a six-night Montreal institution.
The Heaven 17 founder argues that access, not just ideas, separated the era’s electronic pioneers from everyone else.
The Iranian composer uses field recordings from the Strait of Hormuz to treat Qeshm Island as a living acoustic environment, not a geopolitical headline.
Dave Angel returns to R&S Records with Apocalypse, a cold, tension-driven techno single that turns observation into rhythm ahead of the album A Time And Place.
