The composer’s two-and-a-half-hour album for organ and ensemble, out on her Late Music imprint under Warp Records, examines friction between sustained tones and microtonal shifts.
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The composer’s two-and-a-half-hour album for organ and ensemble, out on her Late Music imprint under Warp Records, examines friction between sustained tones and microtonal shifts.
The Buenos Aires producer delivers eight tracks of active, shifting drone that draw from field recordings, processed instruments, and rhythmic undercurrents.
