Ethan Moraux is twenty and already running his own circuit in Toronto. He writes, produces, records, and engineers. The solo project started in November 2025 with a blunt brief he keeps repeating: making music should still feel like fun. That line would sound thin if the work behind it was thin. It is not. Before …
This Friday’s releases trace artists who work with legacy and reinvention in equal measure. Some expand into high-gloss pop statements or immersive rage worlds that demand sustained attention. Others step into debut territory or precise moments of emotional directness and suburban reckoning. Madonna channels mid-2000s club euphoria into a direct sequel that tests how much …
