On Last Round, the Australian MC and Lydia Caesar turn the invisible weight of anxiety and creative shutdown into a fight that actually lands.
On Last Round, the Australian MC and Lydia Caesar turn the invisible weight of anxiety and creative shutdown into a fight that actually lands.
On Dragon’s Blood the German producer refuses to write four different songs about divorce. He writes one and then subjects it to successive states of time, space and pressure until the material itself becomes the recovery.
She had already made a life that worked. Piano since she was seven, songs since her teens, years of stages and studios, then law school and courtrooms. For nearly twenty years she did not make a new record. Then one night she watched a documentary about the musicians who had shaped the records she grew …