The composer’s two-and-a-half-hour album for organ and ensemble, out on her Late Music imprint under Warp Records, examines friction between sustained tones and microtonal shifts.
Menu
The composer’s two-and-a-half-hour album for organ and ensemble, out on her Late Music imprint under Warp Records, examines friction between sustained tones and microtonal shifts.
Spanning 140 minutes and three nations of historic pipe organs, Davachi’s latest album treats listening as a discipline rather than a passive act.
