The Northern Italian quartet move beyond old-school technical death metal homage with a concept record about a lost civilization. Tribal percussion and ritualistic chants thread through nine tracks.
The Northern Italian quartet move beyond old-school technical death metal homage with a concept record about a lost civilization. Tribal percussion and ritualistic chants thread through nine tracks.
The Durham band’s fifth album, recorded fully analog by Matt Talbott, sinks into a world of Flannery O’Connor grotesquerie and Cormac McCarthy fatalism without offering easy escape.