Ahead of their ANTI- Records debut ‘I Built You A Tower’, the band pulls a jagged, restless second track that talks about the cost of retreating into the familiar.
Ahead of their ANTI- Records debut ‘I Built You A Tower’, the band pulls a jagged, restless second track that talks about the cost of retreating into the familiar.
After the punk impact of The New Eves’ debut album, Nina Winder-Lind turns inward with a solo pop song recorded spontaneously in a Swedish shed.
The Brooklyn songwriter and sideman releases a solo album that draws poetry from thrift shopping and subway logic.
The Belgian Ardennes festival returns in June with a programme shaped by invited artists and collectives. The full line-up stays hidden until the event begins.
The co-headlining run brings together generations of extreme metal, with Crowbar as primary support, running from September 17 to October 24.
The Philadelphia band returns with an album shaped by two decades of connection and a single that makes the distance feel personal.
The composer and producer traveled the region with a solar-powered mobile studio, capturing historic pipe organs for “Kingdom Come, Kingdom Go.” The first single, “Winterhouse,” is out now.
Four years after a Paramount Theatre jam, the 400 Unit guitarist still remembers every detail of that Hendrix cover with the Pearl Jam shredder.
The festival will scale its green hydrogen pilot into HYDRO XL, a 20,000-capacity main stage with full production and zero emissions.
The Dublin noise rock trio’s second EP arrived this week, recorded with producer James Eager and centered on lyrics about extreme psychological states.
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