Tragedy, politics, and administrative limbo collided in heavy music this week, forcing conversations beyond stage volume.
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Tragedy, politics, and administrative limbo collided in heavy music this week, forcing conversations beyond stage volume.
During Megadeth’s farewell tour stop in Finland, Dave Mustaine took a moment to call out a local journalist whose question rehashed a decades-old rivalry.
At a billionaire-hosted field day, the R.E.M. singer and guests performed unexpected versions of Elvis, Petty, and Blondie songs with Chad Smith and Andrew Watt as the house band.
A two-day celebration at the arena draws a sprawling guest list that blurs the lines between pop aristocracy, NFL royalty, and Hollywood.
The Boston metalcore unit, featuring members of Vein.fm and Fleshwater, detail their first full-length and release a punishing new single.
This Friday’s releases trace artists who work with legacy and reinvention in equal measure. Some expand into high-gloss pop statements or immersive rage worlds that demand sustained attention. Others step into debut territory or precise moments of emotional directness and suburban reckoning. Madonna channels mid-2000s club euphoria into a direct sequel that tests how much …
Three decades on, the Quebec band’s second album remains a punishing, high-velocity statement that still sounds like collapse rendered in sound.
The latest annual update adds practical modulation and sequencing tools, but stem separation and a new vocal synth show that some additions still need work.
The Los Angeles singer-songwriter returns with a collaborative EP that draws from post-punk and indie rock touchstones, marking a sharper turn in his catalog.
The Danish-designed, Far East-built Verve brings a distinctive T-style shape and a mahogany body, but a review unit reveals some assembly issues.
