The Brooklyn singer-songwriter and longtime sideman steps forward with a concise, quietly incisive new album.
Brooklyn’s Izzy Oram Brown has spent much of her career immersed in other people’s music. A trained jazz musician who moved to Nashville early on to work in live and session contexts, she has backed guitarist Julian Lage and played with bands like Why Bonnie and Youbet. That collaborative instinct runs deep, but the release of her new album What I Want shows a deliberate shift inward.
Her 2022 EP Mess felt like a cautious first step—six tracks that hinted at a songwriter testing frameworks rather than settling into them. What I Want adds only a few minutes but lands with sharper focus. Across its six tracks, the album traces the aftermath of a breakup through existential questioning, self-doubt, and flickers of optimism. The narrative throughline is tighter, the mood more coherent.
Brown’s hushed delivery does much of the work. On “If I’m Not Made For Love,” she asks, “So if I’m not made for love / Why to love, am I bound?” over a harmonium-like hum and bent pedal steel notes. It’s a moment that crystallizes the record’s central ache—the friction between isolation and the pull toward connection. Lyrics elsewhere are plainspoken (“I am never more alone than when I am in a crowd”) but gain weight through her understated performance.
What I Want isn’t a reinvention. It’s a consolidation, the result of an artist who writes when she decides it’s time, not when inspiration strikes
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