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corto.alto Brings Jersey Club Swerve on ‘Thief’
The Ninja Tune release connects dubby low-end, breakbeats, and jazz abstraction after a year of road testing.
News & Premieres Editor
Dario Klein
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Dua Saleh Maps the Friction Between Biology and Technology on Second Album
The Ghostly International artist returns with a record that finds its shape in the tension between natural decay and digital saturation, never settling for easy resolution.
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Grammys Set 2027 Date, Move to ABC and Streaming on Disney+
The 69th Grammy Awards will air February 7, 2027, on ABC, Disney+ and Hulu, marking the end of a 50-year broadcast partnership with CBS. Nominations will be revealed November 16, 2026.
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Angine de Poitrine’s Masked UK Debut Lands at Leeds’ Brudenell Social Club
The Quebec duo brought polka dots, pyramid heads, and relentlessly complex playing to a packed room, turning a first UK show into a memorable collision of musicianship and absurdity.
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Dior Livestreams Cruise 2027 Show from LACMA with Hitchcock-Style Teaser
Ahead of Jonathan Anderson’s first Cruise collection for Dior, a black-and-white short starring Alison Oliver sets the tone for tonight’s Los Angeles presentation.
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Thom Yorke on the Exhaustion That Shaped Radiohead’s ‘Everything in Its Right Place’
The frontman recently addressed a long-misunderstood lyric sheet, pointing to the burnout of the OK Computer tour as the true source of the track.
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Gia Margaret and Maya Hawke’s New Albums Arrive in Tandem, Revealing a Shared Search for Joy
Both artists issue fourth LPs within a week of each other, drawing from folk tradition and a deepening connection to the human voice.
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Wasia Project to Release Debut Album ‘Nocturne’ on September 18th
The British-Chinese duo return with a full-length that draws on their live evolution, anchored by new single ‘Bleeding Gold’.
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Seefeel Release Sol.Hz, Their Most Minimal Record Yet
The longtime Warp act pares everything back on a new full-length that follows two 2024 mini-albums.
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Flight of the Conchords Return to the Stage After Eight Years, Rough Edges and All
At their first full show since 2016, Jemaine Clement and Bret McKenzie brought their deadpan musical comedy back to Los Angeles, flubs and all.