Reviews
Kanye West's 'Bully' and the Weight of Return
On his twelfth album, Kanye West pares back the spectacle, attempting to find his voice again in the soul samples of his past.
Editor-in-Chief
Giorgio Watanabe
Reviews
Fakemink – The Boy who cried Terrified
The London rapper’s new EP is a claustrophobic study in anxiety, built from fragmented loops and a voice pushed to its limits.
Reviews
Yeat - ADL
The rapper's expansive double album stretches his signature sound across twenty-six tracks, revealing the limits of his chaotic energy.
Reviews
Miroslav Vitous: The Unhurried Conversation
On 'Mountain Call', the Czech bassist-composer leads a late-career summit with Jack DeJohnette and Michel Portal, shaping a spacious, classical-influenced dialogue.
Reviews
Jerub’s “Stay” and the Weight of Quiet
The Nottingham songwriter returns with a single that builds its tension through restraint and unresolved space.
Reviews
HEADSEND's 'Angel Glands' and the Weight of Debut
The Byron Bay trio's first EP is a study in controlled demolition, trading relentless road energy for dense, atmospheric sludge.
Reviews
Snail Mail's Ricochet: A Study in Controlled Collapse
Lindsey Jordan’s third album sharpens her songwriting into precise, wounded pop, trading lo-fi sprawl for a focused examination of aftermath.
Reviews
The Saddest Landscape and Julien Baker Converge in a Storm of Quiet and Noise
The Boston post-hardcore veterans and the indie folk songwriter forge an unexpected, potent alliance on their collaborative single.
Reviews
Soft Cell's Final Statement Arrives as a Nocturnal Homage
The synth-pop duo return with “Out Come the Freaks”, an opening statement that channels a vanished New York nightlife through a refined, nocturnal atmosphere shaped by their enduring sonic identity.
Reviews
Angelo De Augustine's "Empty Shell" Builds a Quiet World
The first song written for his new album finds the singer-songwriter refining his delicate, introspective craft.