Au/Ra Returns With Debut Album ‘heartcore’ After Three-Year Silence
Following a forced hiatus from music, Au/Ra channels fantasy and self-reckoning into her first full-length project, out next week.
Editor
Following a forced hiatus from music, Au/Ra channels fantasy and self-reckoning into her first full-length project, out next week.
Eric D. Johnson returns with a full-band album that contrasts the flat Midwest expanse with the accumulated refuse of the past, resulting in some of his most focused songwriting.
The Australian technical death metal band sets a July 17 release date and offers a first track that underlines its disciplined, riff-driven approach.
The America co-founder discusses his first solo album since stepping away from the road, the Beatles cover that brought in Graham Nash, and why he still writes ten songs to keep two.
The deal includes compositions by Taylor Swift, Ariana Grande, and The Weeknd, among others, in a reported low-nine-figure acquisition.
The Nashville heavy shoegaze band sharpens its atmospheric sludge into a patient, controlled single ahead of I Know What I Saw, out July 24 via Profound Lore.
The Bruce Springsteen Center for American Music opens at Monmouth University, built from a fan-donated collection that started in a library closet.
The Arista president partners with 20th Century Fox for a three-picture deal, while the label’s lean roster places fourth among majors.
The hardcore band’s new North American run pairs them with everyone from Clipse to Boy Harsher, treating each city as its own event.
DeForrest Brown’s latest as Speaker Music channels Detroit techno-soul through a disciplined, real-time process that examines music’s deeper structures and intentions.