Jodie Foster Thought Brad Pitt’s F1 Was Written by AI
At the Aspen Ideas Festival, Foster said the racing drama’s structure felt so formulaic she assumed a computer scripted it. She also discussed AI’s growing role in film production.
Staff Writer
Theo Vermeer
MusicForTheSea Marks World Oceans Day With ‘Tidal Shifts – Reimagine’
The second release from the Ibiza-based label weaves scientific underwater recordings into ambient composition, pushing beyond sonic comfort toward a message of conservation.
The Anxiety Economy: How ‘Your Mix Sucks’ Marketing Exploits Music Producers
A flood of negative online content is turning production learning into a minefield of self-doubt. The approach works because it preys on insecurity—but the cost is creative confidence.
Bam Margera Blames Knoxville and Tremaine as He Rules Out Jackass Reunion
The former Jackass star says he has no issues with the rest of the cast, but “I never want to see them ever again in my life.”
Six Missing’s ‘drift, sway’ Draws Form from Meditative Repetition
Austin composer TJ Dumser returns to a stripped-back palette of guitar loops and vintage synths, shaping two quiet movements for Nettwerk.
The Boombox Tape That Introduced Dave Grohl to Nevermind
Before the polished studio take, Kurt Cobain sent Butch Vig a cassette that captured the raw arrival of a drummer who would uproot rock’s mainstream.
Noah Kahan’s Pittsburgh Tour Stop Doubles as Furry Convention Welcome
A scheduling coincidence let the folk singer briefly turn his concert into an open invitation for a subculture.
Beyoncé Returns with “MORNING DEW (DONK)” Ahead of B’Day Reissue
The surprise single revisits a leaked 2013 track, launching a countdown to the singer’s 45th birthday and a 20th-anniversary edition of her second solo album.
Swift and Kelce’s Pre-Wedding Gift to Nashville Food Charity Is Part of a Quiet Pattern
A donation to Brad and Kimberly Williams-Paisley’s The Store was one piece of a $26 million contribution spread across 20 U.S. organizations.
Foel’s ‘Gwasgaru’ Shapes Chaos into a Personal Electronic Language
Two decades of self-taught production culminate in an album that turns mental health struggle and hostile landscapes into generative order.