Ghozt’s Debut ‘BAUTISMO’ Works Best When It Quakes
The New York producer pushes club music into volatile, noise-laced territory with a cast of collaborators, though the album’s meditative second half struggles to hold its weight.
Staff Writer
The New York producer pushes club music into volatile, noise-laced territory with a cast of collaborators, though the album’s meditative second half struggles to hold its weight.
The Berlin-via-Baltimore band folds processed choral fragments into their intricate instrumental lattice, a small shift that alters the whole.
Across four succinct pieces, the Tokyo-based composer uses the sounds of storms, lawnmowers, migrating geese, and winter fires to trace the calendar’s moods, with help from Ayako Fujii and Dan West.
As Donald Trump turned 80, the New York Times asked notable octogenarians about the best and worst of entering that decade. Dylan, now 85, gave an unsparing reflection on clarity, regret, and the peculiar stillness of time.
The band unearthed the title track from their 1977 album during the fourth and final night of their Kia Forum run, a song that had not been performed live since the Pinkpop festival 47 years ago.
Bono hailed Springsteen as “America” in a speech tracing a five-decade bond. After the presentation, the honoree, the U2 frontman, and Patti Smith closed the Tribeca night with a shared anthem.
The collaborative album, recorded nine years ago, will finally arrive on August 14 alongside new single “Sacrifices.”
Julian Casablancas cracked Kanye jokes, premiered “Falling out of Love” in full, and opened with “Killing Lies” for the first time in four years, while Nick Valensi sat out the set.
The pop singer formalizes years of advocacy with The Brighter Days Ahead Foundation, responding to an ICE-promoting video that featured her track “Bye.”
A fake blog entry titled “The Malefactors” listed everyone from Johnny Marr to Popeye as Morrissey’s enemies—and it was apparently too convincing for some.