The Texas set included the unreleased “Only Takes a Moment” and the long-shelved “Broken Things,” signaling a tour less interested in the obvious.
The Texas set included the unreleased “Only Takes a Moment” and the long-shelved “Broken Things,” signaling a tour less interested in the obvious.
Two and a half years after his breakout SNL debut, Noah Kahan returned to the show as the owner of a #1 album. His performances of “The Great Divide” and “Doors” captured an artist in a different mode.
Her first Instagram post in over a month frames recent events as a “spiritual journey” and an ongoing lesson in self-kindness.
Phoebe Bridgers played her first solo set in three years at a small New Mexico club, debuting new songs in a deliberately quiet manner. The indie scene’s shared anticipation found a voice in Noah Kahan’s dry, eager reply to a fan online.
The Blondie singer and the actor are attached to star in a feature directed by Jonathan Krisel, set inside the wellness industry.
New York duo Fcukers refine post-pandemic club hedonism into lean, hook-driven songs on their debut album Ö. A study in controlled abandon that scales from Baby’s All Right to festival stages while retaining its seamy small-hours trace.
KJ Apa denies he’s the TikTok singer, but the alter ego tradition persists whether he’s involved or not.
Why we stop playing the songs we once needed most.
The artist’s return to the stage lands with all the confrontational energy that first made her essential.
After a deliberate rock pivot, the Oklahoma band Southall return with their first album in three years. One song tackles the frontman’s memory of losing the family property, a process he says redirected his own path.