Danna Introduces ‘Visions’ at a Sold-Out Roxy Show

Two decades into a career that began on children’s telenovelas, Danna used a Los Angeles concert to preview an album named for the clarity she says she’s finally found.

Backstage at the Roxy on a hot summer night in Los Angeles, Danna sounded less interested in nostalgia than in the present tense. She was about to play a sold-out show, her first featuring songs from a new album, and the 31-year-old Mexico City native described the work as a convergence point. “Everything that I’m creating now and all my music, it’s my vision,” she said, explaining the title of the forthcoming Visions. “That’s why my album will be called Visions.”

The performance followed a career path launched at age five on the telenovela “Rayito de luz,” then accelerated by starring roles in “Amy, la niña de la mochila azul” and “Atrévete a soñar,” where she also sang the theme songs. Danna doesn’t distance herself from that early fame. She spoke of it with measured gratitude, noting that those years shaped her. Unlike many child actors, she said she had made peace with that exposure. The 2024 album Childstar was, in its own way, a ledger of that reckoning.

Later reinventions came through darker theatrical roles. Playing Elphaba in a Spanish-language production of Wicked in Mexico City, and later dubbing the same character for the recent film adaptation, pulled her toward something she called the “darkness inside of us.” The villainous role of Lu in Netflix’s “Elite” offered a similar permission. “Those characters made me come to peace with that darkness,” she said. “They’ve let me know that it’s okay to be seen as a villain in someone else’s story because I’m choosing to focus on my own story.”

That self-possession has been hard-won. After the streaming successes of Sie7e + and a Latin Grammy nomination for K.O., she returned in 2023 with “Tenemos que hablar,” a single whose video depicted a break from manipulation by a former management. Now she’s foregrounding alignment. The show at the Roxy wasn’t a comeback; it was a recalibration, delivered to a room that had grown up alongside her.

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ROMBO Editorial Staff

ROMBO Editorial Staff

The collective voice behind ROMBO Magazine’s news, reviews, features, and cultural coverage.