The guitarist and frontman of Crushed Butler and the Hammersmith Gorillas left a raw, unvarnished blueprint for punk that the wider industry failed to notice in real time.
Jesse Hector, a musician who helped draw the crude outlines of British punk half a decade before it had a name, has died. News of his passing was confirmed by close associates, though details remain limited at the time of writing.
Hector’s path began in the 1960s Kilburn mod scene, a teenager hooked on dirty rhythm and blues and the sharpest edges of primitive rock & roll. He sharpened that instinct into a personal aesthetic (sideburns, a refusal to bend) and, by 1969, was leading the trio Crushed Butler. Their songs were short, savage, and pointed, making them a presence in London’s tighter club circuit. But label attention never materialised, and the group splintered without issuing a proper release.
The direct line from there to the Hammersmith Gorillas is one of rock history’s more stubborn examples of being early at the wrong time. Formed in the pub rock lurch of the mid-1970s, the Gorillas amplified that same gut-level energy into something louder and more confrontational. A cover of The Kinks’ “You Really Got Me” on Penny Farthing Records led to a short run of singles on the fledgling Chiswick label. The records earned a cult following, yet they remained a London underground phenomenon, never catching the commercial wave that would soon lift bands working the same vein.
Hector’s work never benefited from revisionist packaging or comfortable nostalgia. He stayed an underground figure, which is fitting. The music was never made for approval from above.
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