Morgan Wallen’s Backstory: Baseball, The Voice, and a Mullet That Signaled a New Era

Before the records and the controversies, Wallen’s path to country stardom ran through a sports injury, a reality TV elimination, and a strategic alliance with bro-country royalty.

The Morgan Wallen story starts not with a guitar, but with a torn ligament. A promising baseball player at Tennessee’s Gibbs High School, Wallen had the talent to play in college until a UCL injury ended that future. “I was devastated because I’d put so much time and effort into baseball,” he told Nashville Lifestyles in 2021. “So, I started writing songs and playing guitar.” What followed was a career reset that would lead him far from the diamond.

Free to focus on music, Wallen auditioned for The Voice, performing Howie Day’s “Collide” instead of a country standard. He moved between Usher’s and Adam Levine’s teams, singing Avicii and One Direction, not Merle Haggard. He was eliminated the same week he finally touched country radio material, covering Florida Georgia Line’s “Stay.” The show didn’t make him a winner, but it gave him visibility he’d soon cash in.

An early indie release led to a deal with independent label Big Loud. His first single, “The Way I Talk,” leaned into rural speech patterns without his writing input, but it was the Florida Georgia Line collaboration “Up Down” that put him on the chart map. The pairing with the duo then defining bro-country gave Wallen his first country-radio number one and cemented a lane: party-friendly anthems delivered with a rugged, sleeveless charm. His live sets from that period mashed up Linkin Park and Fall Out Boy alongside country hits, revealing a performer still borrowing from rock’s energy.

The turning point arrived with a haircut. By mid-2018, Wallen had adopted a Joe Diffie-style mullet and shed his flannel sleeves—a look that matched the swagger of “Whiskey Glasses.” The song, penned by Ben Burgess and Kevin Kadish, became a crowd-rousing hit built on a shout-along bridge and clever drinking logic: “Poor me, pour me another drink.” It was catchy, bitter, and perfectly timed. A Diplo collaboration followed, signaling that Nashville wasn’t the only room now paying attention.

Join the Club

Like this story? You’ll love our monthly newsletter.

Thank you for subscribing to the newsletter.

Oops. Something went wrong. Please try again later.

ROMBO Editorial Staff

ROMBO Editorial Staff

The collective voice behind ROMBO Magazine’s news, reviews, features, and cultural coverage.