The band’s 1986 debut still stands on its own, but four decades later, it’s a quiet gesture from their former bassist that stays with them.
The band’s 1986 debut still stands on its own, but four decades later, it’s a quiet gesture from their former bassist that stays with them.
Alicia Bognanno will bring her project Bully to the LaguMiniAmphitheaterette on July 28 as part of the Live at Lagunitas series, in a free concert presented by Consequence.
The Big Muff Pi 2 is a dual op-amp fuzz circuit designed by Bob Myers in the late ’70s, rejected by Mike Matthews for straying from the standard Muff voice. Forty years later, it’s back with a momentary switch and a more aggressive profile.
Explicit songs have fallen from 74% of Spotify’s Top 50 in 2018 to just 13% in 2026. The shift reflects the growing dominance of catalog music and hip-hop’s declining chart presence.
The long-unavailable recordings, featuring Arthur Russell throughout, offer a lost chapter of experimental pop that still sounds more adventurous than most of today’s underground.
Two decades into a career that began on children’s telenovelas, Danna used a Los Angeles concert to preview an album named for the clarity she says she’s finally found.
A year after the live return that broke records, Don’t Look Back In Anger offers the first glimpse of an unprecedented film built around the Gallagher brothers’ first conversation in nearly two decades.
Timed to the 250th anniversary of American independence, the release pairs sharp covers with a clear political intent — including a studio collaboration with Joan Baez.
The LA band had an MTV hit and a charting album, but sharing a stadium bill with thrash metal’s rising force exposed a genre in transition—and a humiliation summarized by one New York Times line.
Eminem’s 2002 hit cut across rock and rap audiences by trading his incendiary reputation for a question rooted in his own past—and the result rewrote what a crossover single could sound like.
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