The New Jersey metalcore band resurfaces with a high-profile addition, ending a decade and a half of silence.
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The New Jersey metalcore band resurfaces with a high-profile addition, ending a decade and a half of silence.
French electronic producer Rone spent months at sea transmitting music to whales for his new score, developed with scientists and bioacousticians. The resulting album raises harder questions than it answers.
Shot live at Dallas’s Double Wide, the clip captures the band’s punishing debut album Lazer Blood in a raw, communal setting.
Masked Quebecois duo Angine de Poitrine discover an unauthorized copycat act playing their music in Moscow, exposing the vulnerability of maintaining anonymity while a brand grows.
A Place To Kill have released their first EP, accompanied by a video for the track “Jet Engine.” More music is expected later this year.
Before the records and the controversies, Wallen’s path to country stardom ran through a sports injury, a reality TV elimination, and a strategic alliance with bro-country royalty.
On Track Star, Lopez recounted being advised to change “Feelin’ So Good” because it echoed Houston’s “It’s Not Right But It’s Okay.” She stuck with the song and praised Houston as an unmatched vocalist.
The November event returns to multiple venues with a bill spanning the Avalanches and Tortoise to a special “10 years of Telefone” set from Noname.
The latest from Victor Vieira-Branco’s group deepens its chemistry with the addition of pianist Sam Yulsman, resulting in music that’s both disorienting and carefully shaped.
On a Nashville rooftop, Miranda Lambert’s new label sponsored a rhinestone-studded, 21+ drag brunch — a quiet test of what space queer artists and allies can carve out in country music’s largest festival.
