The band’s seventh album aims for glimpses of joy, but too often settles into comfortable, mid-tempo territory that never fully ignites.
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The band’s seventh album aims for glimpses of joy, but too often settles into comfortable, mid-tempo territory that never fully ignites.
The indie emo band will split opening duties between Leisure Hour, Bad Luck, Liquid Mike, and Bugsy across a run that begins October 7 and closes November 24.
The latest preview from Pylon pairs a bright, layered arrangement with a lyric about the pull of nostalgia.
The Ecuadorian-Swiss duo use the mountain range as both landscape and memory on their Dan Auerbach-produced instrumental record, out September 25.
The Def Leppard guitarist says his January 2025 transplant did not take, and he is continuing treatment while remaining active with the band.
On her eighth album, Charli XCX uses fashion week, guitars, and self-aware apologies to dismantle the machinery of pop relevance.
The two producers turn fifteen years of intermittent exchange into a full-length record for Warp, out October 16.
The sludge band’s latest record, Reaching Murderous for the Banker’s Neck, builds its weight through atmosphere rather than speed, with “Stone” as a clear entry point.
A Los Angeles judge waived a standard waiting period, allowing the singer to seek platform records that may identify those who allegedly stole and sold dozens of unreleased songs.
The G6134T-58 pairs a chambered mahogany body with TV Jones Ray Butts Filter’Trons, giving the single-cut a finish that leans into Gretsch’s vintage pageantry.
