The Bristol trio’s second album sheds the slacker-rock consistency of their debut for a volatile, post-hardcore sound that better reflects the band’s combustible chemistry.
The Bristol trio’s second album sheds the slacker-rock consistency of their debut for a volatile, post-hardcore sound that better reflects the band’s combustible chemistry.
The band pushed two Dickies Arena dates to mid-July following a doctor’s order for Lee to rest, marking the second schedule disruption in a week.
Serj Tankian issued a terse reaction to Israel’s official recognition of the 1915 Armenian Genocide, saying, “Using our history, our genocide, our pain to their advantage.”
The Mötley Crüe bassist dismissed the Godsmack drummer’s criticism as a fleeting bid for attention.
The former Anodyne Industries producer crafts a ten-track exercise in microsound detail and quiet restraint.
The French musician sets a course for autumn with a collaborative full-length project and an international tour, sharing a second preview that tightens his studio approach.
Hamburg’s Reeperbahn Festival reveals a second wave of artists for its 21st edition, including Mercury Prize winners English Teacher and Glasgow rock band Keo.
Estonian band Holy Motors return with a new album, Heaven’s Night, out October 16 via Wharf Cat, and share the restless single “Tough Crush.”
The Colombian-born experimentalists return to the collaborative mode they first explored on León’s A Tropical Entropy, sharpening their shared language into a six-track EP for Domino’s Smugglers Way.
Bloc Party return with the Trevor Horn-produced *Anatomy Of A Brief Romance*, out September 11th. New single ‘Love Bombs’ pairs synth drive with Kele Okereke’s exploration of romance’s early, uncertain rush.
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