The new three-day event at Hylands Park drew on Americana detail and a stacked bill to anchor itself in a rapidly expanding scene.
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The new three-day event at Hylands Park drew on Americana detail and a stacked bill to anchor itself in a rapidly expanding scene.
The Virginia band’s first new music in a decade is a folk-rock record about friendship and the weight of years, shaped by ‘90s alt-rock grit and the ghost of John Prine.
Two decades of constant motion give way to a recalibration at home, but the folk-Americana singer marks the pause with a long-gestating interpretation of “Soul Kitchen.”
Mark Nelson returns to his Pan•American project with a solo LP that maps the liminal space of airports and airplanes onto the transformations of family, loss, and the long road home.
The Beaumont five-piece recorded their new album at a local studio, channeling the storytelling tradition of acts like Turnpike Troubadours and Tyler Childers.
The Texas songwriter shifts to Lost Highway Records for a 13-track record about stillness, geography, and the pull of rural life.
Laurie Vincent steps out of SOFT PLAY’s noise and into something wider, lonelier, and more deliberate. His new project Big Truck debuts with a single that trades rage for distance.
The Athens, Georgia collective returns with a sprawling double album, refined by producer Brad Cook and featuring Katie Crutchfield.
The North Carolina folk ensemble trades dense fiddle layers for a sparse, patient dialogue between banjo and guitar, charting a landscape of quiet memory.
Zach Bryan’s record-breaking purchase of the ‘On the Road’ scroll places a modern troubadour’s capital at the service of a canonical myth, testing the value of a physical artifact in a digital folk tradition.
