The Jayhawks’ 12th album, due August 28, draws from Louris’s marriage to a Canadian, his life in Quebec, and a reconnection with producer Bob Ezrin.
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The Jayhawks’ 12th album, due August 28, draws from Louris’s marriage to a Canadian, his life in Quebec, and a reconnection with producer Bob Ezrin.
On their eighth album, the Philadelphia band refine their songwriting with producer Will Yip, trading youthful angst for a sharper, more lived-in sound.
Michael and Tanya Trotter question why their sound gets marked as “not country enough” while Morgan Wallen’s country-pop dominates, and explain why they’re choosing a different path.
The two-day festival along the Hudson River paired headliner Noah Kahan with emerging voices, sudden downpours, and a crowd that sang through it all.
The new three-day event at Hylands Park drew on Americana detail and a stacked bill to anchor itself in a rapidly expanding scene.
The Virginia band’s first new music in a decade is a folk-rock record about friendship and the weight of years, shaped by ‘90s alt-rock grit and the ghost of John Prine.
Two decades of constant motion give way to a recalibration at home, but the folk-Americana singer marks the pause with a long-gestating interpretation of “Soul Kitchen.”
Mark Nelson returns to his Pan•American project with a solo LP that maps the liminal space of airports and airplanes onto the transformations of family, loss, and the long road home.
The Beaumont five-piece recorded their new album at a local studio, channeling the storytelling tradition of acts like Turnpike Troubadours and Tyler Childers.
The Texas songwriter shifts to Lost Highway Records for a 13-track record about stillness, geography, and the pull of rural life.
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