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The East Midlands songwriter’s first post-university single is out now, cut in two hours in a Lichfield study and filmed among hedges, pavements and a mint Strat that still shows its stickers.
The Montréal art-punk band returns with a second LP that sharpens the contrast between brooding textures and kinetic release.
This Friday's releases share a clear sense of purpose. They do not fill time. They shape it. From raw garage-punk manifestos and playful art-punk anthems to polyrhythmic architectures, skeletal noise compressions, drone rituals, textured ambient explorations, warm analog reflections and cinematic memory metaphors, each one earns its duration through detail, tension and intention.
