Announced on Father’s Day, the forthcoming LP centers on an elusive late-1978 recording and continues Shooter’s effort to refocus the legacy on his father’s musical devotion rather than the outlaw myth.
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Announced on Father’s Day, the forthcoming LP centers on an elusive late-1978 recording and continues Shooter’s effort to refocus the legacy on his father’s musical devotion rather than the outlaw myth.
Two decades after winning Album of the Year for Taking the Long Way, the trio performed their defiant hit on late-night television and detailed a run of theater shows this fall.
“I Knew It, I Knew You” is a country-tinged cut that ties Pixar’s cowgirl to Swift’s own beginnings, without nostalgia for its own sake.
The trio marks two decades of their defining album with a run of North American theater shows, from Detroit to Los Angeles.
The actor turned singer returns with his fourth album, a collection of hard-luck narratives and barroom vignettes that leans on cinematic production over lyrical surprise.
After nearly ten years without a full-length project, David Nail readies ‘Flowers’ for an August 21 release and debuts the song live at the Grand Ole Opry.
A waltz-time collaboration lands with more character than spectacle, drawing a line under years of rumored friction.
The Texas songwriter shifts to Lost Highway Records for a 13-track record about stillness, geography, and the pull of rural life.
At a festival built on familiarity, Ella Langley brought a comedian onstage and made her first Stagecoach set feel genuinely odd in the best way.
Cody Johnson brought out Boyz II Men during his headlining set at Stagecoach on Friday, turning a cover of their 1994 hit into a full-group performance.
