Laurie Osborne’s new album renders the space between his Bristol dubstep roots and Berlin dub techno as a set of hazy, slowly shifting electronics.
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Laurie Osborne’s new album renders the space between his Bristol dubstep roots and Berlin dub techno as a set of hazy, slowly shifting electronics.
The 1999 album, the last to feature Gerhard Behles before his full turn toward founding Ableton, arrives on vinyl for the first time as a document of a shifting electronic landscape.
Numbers gives the 1999 Chain Reaction outlier its first vinyl edition, remastered and faithful to an album that’s never followed the dub techno script.
Stephan Laubner’s new triple vinyl album is a world-building exercise from an artist who never stopped believing in the long-form record.
On “Nordanväderslyckan,” the Swedish duo shapes field recordings, analogue synthesis, and acoustic instrumentation into a sprawling, improvisational piece that lands somewhere between psychedelic techno and Scandinavian jazz.
