Jeff Düngfelder’s Listening from (the) Inside turns refrigerators, ice makers and wind chimes into compositional material, then hands the premise back to the listener’s own rooms.
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Jeff Düngfelder’s Listening from (the) Inside turns refrigerators, ice makers and wind chimes into compositional material, then hands the premise back to the listener’s own rooms.
On Sierra de Luquillo, the Minneapolis duo build a four-movement piece from nocturnal field recordings, plant bioelectrical signals, and a rainforest under ecological stress.
The record blends cassette-warped guitar, birdsong, synths, zither, and Rhodes into an ambient language that refuses easy placement.
toppe bianche 白色补丁 treats the environment not as interference but as co-author, using glissandi, white noise, and the arch itself to collapse the distance between composition and life.
After a legal threat from a pachinko machine manufacturer, Jonáš Gruska’s covert field recordings became something more elusive — a meditation on listening, not documentation.
Recorded over half a decade at the Polish-Czech border, Kozmické louky documents a recovering ecosystem through dense field recordings and contributions from Peter Cusack, Lucie Páchová, and others.
Two longform soundscapes on the new album turn field recordings into a tactile record of travel, with one piece moving forward through a Chilean port city and the other unwinding backward across festival dates in Europe.
The sound artist’s new album and installation use custom-built macrophones to capture the low-frequency roars of storms, wildfires, and glaciers, making climate change audible.
The second episode of the female-focused series, curated by Maria Papadomanolaki, arrives with a guest mix that draws from memory, ecology, and Ristić’s forthcoming album.
At 86, the pioneering composer continues her life’s work: revealing the music inherent in the world’s everyday sounds.
