Both artists issue fourth LPs within a week of each other, drawing from folk tradition and a deepening connection to the human voice.
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Both artists issue fourth LPs within a week of each other, drawing from folk tradition and a deepening connection to the human voice.
The single arrives days before the album, pairing Harding’s fragile alto with John Parish’s bare production and an undercurrent of unease.
The Australian siblings’ seventh LP was sparked by a night singing with strangers on the Greek island of Hydra, steps from Leonard Cohen’s old house. The title track is out now.
The Iranian-American songwriter set aside mechanical precision in the studio, chasing something more vulnerable. The result lands somewhere between Jack Johnson’s ease and a much heavier internal reckoning.
A rare typewritten draft of Bob Dylan’s “I’m Not There,” featuring handwritten amendments, will be sold at Omega Auctions on April 21.
On the White Album, a McCartney acoustic piece carried a quiet weight far beyond its pastoral melody.
On her third album, the Norwegian songwriter transforms solitude into a study of intricate, enduring melody.
Kate Nash releases a studio version of her cover of Sinéad O’Connor’s 1994 track, adding a new verse and tin whistle.
On her second album *Dandelion*, the Alabama songwriter steps back from pop crossover to cultivate a darker, more personal country sound.
The singer-songwriter delivered a solo rendition of the 1973 deep cut and discussed his creative process ahead of a summer tour.
