A Stockholm composer who wrote on Feldman keeps the dream in section. The caution is the method, and also the limit.
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A Stockholm composer who wrote on Feldman keeps the dream in section. The caution is the method, and also the limit.
From a bedroom in Legnica, Kamil Demecki’s Dream37th project treats ordinary time as the whole composition. Everyday Life is a short instrumental with a bell-like pluck, a low pad, and nowhere to rush.
In Flevoland the sea was taken away long ago, yet the land still carries the memory of its own drowning. RIFF performs a parallel act in sound: an intimate harp recording is allowed to drift and settle until it can answer the monument’s question about what persists after removal.
The composer returns to form with three pieces built from note sequences, chord roots, and almost nothing else.
