The Connecticut trio’s new album for Ernest Jenning works within a deliberately compressed frame — ten tracks, twenty minutes, steeped in ’60s pop-art and proto-punk información.
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The Connecticut trio’s new album for Ernest Jenning works within a deliberately compressed frame — ten tracks, twenty minutes, steeped in ’60s pop-art and proto-punk información.
The New England trio preview their forthcoming album Modernism with a track that pairs vibraphones and fuzz bass with a backwards guitar solo.
