Langdon Hickman’s latest “Mining Metal” intro examines how overexposure to the underground can dull the senses, and why a dose of the mainstream can sharpen our appreciation for the genuinely strange.
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Langdon Hickman’s latest “Mining Metal” intro examines how overexposure to the underground can dull the senses, and why a dose of the mainstream can sharpen our appreciation for the genuinely strange.
The British magazine needs 500 new subscribers to continue commissioning human writers, as AI-generated music and automated journalism spread through the cultural media.
John Wohlmacher’s new essay series for Beats Per Minute digs into the “best since Scary Monsters” narrative that followed Bowie after 1980, starting with a focused look at the 1983 album.
