On Track Star, Lopez recounted being advised to change “Feelin’ So Good” because it echoed Houston’s “It’s Not Right But It’s Okay.” She stuck with the song and praised Houston as an unmatched vocalist.
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On Track Star, Lopez recounted being advised to change “Feelin’ So Good” because it echoed Houston’s “It’s Not Right But It’s Okay.” She stuck with the song and praised Houston as an unmatched vocalist.
The Welsh singer behind “Mercy” will play an intimate London show this July, her first since retreating from public life following a violent assault.
In Oakland, the singer returned to the stage for the first time since 2019, weaving live debuts and catalog highlights into a 23-song set.
Opening night in Oakland inverted old stadium rituals. Before the first chorus of “Eternal Sunshine,” Grande asked 17,000 people to stop screaming and let her build a live vocal loop from scratch.
The new song, written with Jack Antonoff, draws on Jessie’s storyline and Swift’s own childhood nostalgia, arriving alongside a tightly run merch strategy.
A trap-pop single that sidesteps the flattening effect of many hybrid collaborations, letting both artists operate at full strength.
Jack Antonoff’s fifth Bleachers album turns a phone setting into a lens for examining fame, friendship, and the spaces where private life meets public record.
After walking away from Republic Records and the production framework that defined her early career, Petras assembles a new set of collaborators on an album that finally sounds like it belongs to her.
A direct sequel to the 2005 album that redefined her sound, the new record arrives amid a month stacked with major returns.
A sold-out London show cemented PinkPantheress as a live force, using theatrical staging and British iconography to bridge her bedroom-pop roots and arena ambitions.
