Inspired by Annea Lockwood’s river sound maps, Brad Seippel’s latest field-recording work captures a 70-mile Louisiana waterway—where human noise is never far from the frame.
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Inspired by Annea Lockwood’s river sound maps, Brad Seippel’s latest field-recording work captures a 70-mile Louisiana waterway—where human noise is never far from the frame.
In Flevoland the sea was taken away long ago, yet the land still carries the memory of its own drowning. RIFF performs a parallel act in sound: an intimate harp recording is allowed to drift and settle until it can answer the monument’s question about what persists after removal.
Two longform soundscapes on the new album turn field recordings into a tactile record of travel, with one piece moving forward through a Chilean port city and the other unwinding backward across festival dates in Europe.
The sound artist’s new album and installation use custom-built macrophones to capture the low-frequency roars of storms, wildfires, and glaciers, making climate change audible.
The Brussels label’s 94th and 95th releases explore memory and landscape through field recordings. Tossapol revisits a childhood science museum, while Ludovic Medery captures the sounds of Colonster Woods.
The second episode of the female-focused series, curated by Maria Papadomanolaki, arrives with a guest mix that draws from memory, ecology, and Ristić’s forthcoming album.
At 86, the pioneering composer continues her life’s work: revealing the music inherent in the world’s everyday sounds.
In Kinshasa, the collective KINACT forges a new sonic logic from urban wreckage, turning the city’s relentless pressure into a form of ritual transmission.
The extension of Ryoji Ikeda’s *data-cosm [n°1]* installation reveals a cultural shift, where the aesthetics of pure data become a permanent fixture in our visual and sonic landscape.
