The genre-blending soul artist turned a decade of slow growth and transatlantic influence into a festival breakthrough.
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The genre-blending soul artist turned a decade of slow growth and transatlantic influence into a festival breakthrough.
King Diamond discussed the next phase of his recorded output and the vocal discipline required to sustain his live performances.
Interpol’s eighth album, This Mirror Weighs a Ton, is their first as a quintet and their most direct in subject matter, addressing AI, nature, and drones.
The Philadelphia hardcore band returns January 15 via Epitaph with a guest-heavy follow-up to Diaspora Problems.
During a show in Holmdel, the frontman spent over five minutes urging the crowd to download his Fallout 4 modification—and explaining why a rival modder’s criticism still stings.
The frontman is also pausing post-show car-park meetings during the North American run, setting a clearer boundary around his time offstage.
A North Carolina debut single built on delayed guitars, mid-tempo patience, and a lyric that treats self-knowledge as something already in the room.
The Finnish producer’s second release on the LA-based label is his most focused IDM statement yet — abstract in structure but warm in the low end.
Ethan Moraux is twenty and already running his own circuit in Toronto. He writes, produces, records, and engineers. The solo project started in November 2025 with a blunt brief he keeps repeating: making music should still feel like fun. That line would sound thin if the work behind it was thin. It is not. Before …
The venue confirms refurbishment work covering air-conditioning and service areas in both the main room and O2 Academy2.
